Feminae: Medieval Women and Gender Index

7 Record(s) Found in our database

Search Results

1. Record Number: 12880
Author(s): Michalski, Sergiusz.
Contributor(s):
Title : Venus as Semiramis: A New Interpretation of the Central Figure of Botticelli's "Primavera"

Source: Artibus et Historiae , 48., ( 2003): Pages 213 - 222.
Year of Publication: 2003.

2. Record Number: 1374
Author(s): Barolsky, Paul and Anne Barriault
Contributor(s):
Title : Botticelli's "Primavera" and the Origins of the Elegiac in Italian Renaissance Painting [traces the theme of bittersweet loss in the paintings of Botticelli, Signorelli, Piero di Cosimo, Sebastiano del Piombo, and Titian].

Source: Gazette des Beaux-Arts , 128., 1532 (septembre 1996): Pages 63 - 70.
Year of Publication: 1996.

3. Record Number: 4845
Author(s): Parry, Joseph D.
Contributor(s):
Title : Narration and Quattrocento Annunciation Paintings [Winner of the 1996 Allen D. Breck Award].

Source: Journal of the Rocky Mountain Medieval and Renaissance Association , 17., ( 1995- 1996): Pages 188 - 200.
Year of Publication: 1995- 1996.

4. Record Number: 3463
Author(s): Schibanoff, Susan.
Contributor(s):
Title : Botticelli's "Madonna del Magnificat": Constructing the Woman Writer in Early Humanist Italy

Source: PMLA: Publications of the Modern Language Association of America (Full Text via JSTOR) 109, 2 (March 1994): 190-206. Link Info
Year of Publication: 1994.

5. Record Number: 6270
Author(s): Francalanci, Andrea.
Contributor(s):
Title : Le tre grazie della "Primavera" del Botticelli: La danza fra allegoria e realtà storica [Botticelli organized the figures in the "Primavera" using the configurations of a dance; court dance was just being developed in this period with geometric circles, with their philosophical implication of perfection, and hierarchic lines as possible configurations; the meaning assigned to the figures in the painting vary, but a courtier of the period could imagine the interactions of various symbolic figures in a meaningful dance].

Source: Medioevo e Rinascimento , ( 1992): Pages 23 - 37.
Year of Publication: 1992.

6. Record Number: 10270
Author(s): Olsen, Christina.
Contributor(s):
Title : Gross expenditure: Botticelli's Nastagio degli Onesti Panels [The article traces the themes of consumption and extravagance in four Botticellan panels. Title note supplied by Feminae.].

Source: Art History , 15., 2 ( 1992): Pages 146 - 170.
Year of Publication: 1992.

7. Record Number: 42572
Author(s):
Contributor(s):
Title : Cestello Annunciation (Image #1) and Ecce Ancilla Domini (Image #2)

Source: Medioevo e Rinascimento , ( 1992):
Year of Publication: